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Rex Richardson maintains a busy performance schedule even between
Rhythm&Brass tours, as a soloist in jazz, orchestral and recital
contexts. He has won attention in the international jazz arena
with appearances in the U.S., Canada, and Japan as a sideman of the
great Joe Henderson, and has also worked with such jazz artists as
Carl Fontana, Kurt Elling, and Benny Carter. He has performed
as a member and as a soloist with the elite, internationally-
assembled Brass Band of Battle Creek and the newly-formed
BrassUnlimited, an English-style brass band featuring outstanding
soloists and orchestral musicians from the U.S. and Europe.
Since his teenage years Rex has been engaged for especially
difficult works such as Bach's Brandenburg Concerto no. 2
and various contemporary works. Hearing Rex in concert in 1998,
Pulitzer Prize-winning composer Karel Husa was moved to ask him if
he could send the trumpeter his exceptionally difficult concerto
for trumpet and wind orchestra, explaining that he had trouble
finding players with the facility and range to perform it. This
resulted in a 1999 performance of the work with the Northwestern
University Contemporary Music Ensemble.
Rex has recorded solo albums of his own compositions for the
d'Note and IGMOD labels. DownBeat magazine has printed that he "has
an impressive touch: a sure command of tone and a gift for creating
fetching modern harmonies," awarded his CD Pandora's Pocket three-
and-a-half stars, and honored him in their International Critic's
Poll as one of the top ten trumpeters deserving wider recognition.
Cadence Magazine's review of Pandora's Pocket began, "Richardson is
a trumpeter who combines the powerful stratospheric flights of
Freddie Hubbard with the melodic bluesiness of Lee Morgan." The
Chicago Tribune has extolled his "epic sound and rock solid
technique" and says of his jazz playing that he "improvises with
technical virtuosity in some passages, lyric poetry in others,"
describing his style as "a brilliant, technically audacious,
rhythmically aggressive approach to improvisation."
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| rex[at]rhythm-brass[dot]com | |||||